By Michel Marc Bouchard, Linda Gaboriau
Following the unintended dying of his lover, and within the throes of his grief, city advert govt Tom travels to the rustic to wait the funeral and to fulfill his better half's mother, Agatha, and her son, Francis – neither of whom be aware of Tom even exists. Arriving on the distant rural farm, and instantly drawn into the disorder of the family’s relationships, Tom is blindsided through his misplaced partner’s legacy of untruth. With the mum waiting for a chainsmoking female friend, and the older brother hellbent on keeping a facade of normalcy, Tom is coerced into becoming a member of the duplicity till, finally, he confronts the torment that drove his lover to stay within the shadows of deceit.
The lover – the pal, the son, the brother, the anonymous lifeless guy – has left at the back of a myth woven of false-truths which, in accordance with his personal teenage diaries, have been necessary to his survival. during this comparable rural environment, one younger guy had as soon as destroyed one other younger guy who enjoyed one more. Like an old tragedy, years later, this drama will form the future of Tom.
In a play that unfolds with gradually blurred obstacles among lust and brutality, among fact and problematic ?ction, Bouchard dramatizes how homosexual males usually needs to discover ways to lie sooner than they the right way to love. all through 2011 and 2012, Tom on the Farm used to be produced in Quebec and France, as Tom à los angeles ferme, and in Mexico, as Tom en los angeles granja. Award-winning Quebec director Xavier Dolan tailored the play for the reveal in 2013, with Caleb Landry Jones within the major position.
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Extra info for Tom at the Farm
LUANNE That’s not the point, though, Mona. No one will come out here. MONA Why not? If they have the money to buy a quilt, they could afford gas money to come out here. LUANNE Well, some of those people in the bigger cities don’t really know what it’s like out here. People are afraid to come The Star Quilter 23 out here now. They think white people aren’t allowed on the reservations. MONA Who told them that, I suppose? And here you are, just sitting here, talking with me. , we were at a party and some folks came up and asked that very question.
Remember, I raised kids and worked. MONA We all have, LuAnne. And that’s the first time you’ve ever heard me say something like that. I have something I’ve always wanted to say to you, but I didn’t, because I didn’t know how you would take it. When you first came here, you just walked right into my house without even knocking. I didn’t mind, because I’ve had other white people do that—even some Indins here do that. But they stop when they realize they’ve done something wrong. You never asked me why I made star quilts.
SKIN It wasn’t Betty. BENNY How come you call him “Uncle”? You’re not even related to him. SKIN Yes I am. My mom was his second cousin. She was from the Lambert’s on Fort Belknap. And his sister, Eva, was from Fort Belknap. BENNY Oh yeah, I forgot about that. SKIN You know, he looks different somehows. BENNY He’s dead. What is he supposed to look like? 48 William S. Yellow Robe, Jr. SKIN That isn’t what I mean. You know what I mean. BENNY You’ve never seen a dead man before? SKIN No. I mean, he was always smiling.