Adobe (R) Seminars: Web Page Design by Lisa Lopuck, Sheryl Hampton

By Lisa Lopuck, Sheryl Hampton

A whole seminar in a publication geared toward intermediate enterprise clients and starting computer designers. "Adobe Seminars: web content layout" is a sequence of 201 options which can train clients the way to create diversified picture parts of an internet web page in exactly a couple of minutes utilizing Photoshop four, Illustrator 7, and PageMill 2.

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Notice that our hat already has a transparent background. 7. Bring in the second image either by copying and pasting or dragging and dropping. Size it using the transform tool (Command/Ctrl + T). Place it into final position. You’ll want to do this in order to see where the shadow needs to fall. Transform! 8. Now, we want to create our shadow. Select the bottom layer and click the new layer icon. This will create a new layer between the hat and our face for the shadow. With this layer still selected, create an approximate shadow using one of the selection tools.

To start, we want to create a new image file using this image. 2. Go to the Channels palette. Toggle through the three channels by pressing Command/Ctrl + 1 = Red Command/Ctrl + 2 =Green Command/Ctrl + 3 = Blue Find the one channel with the most contrast. In our case it was the red channel. With the channel selected, choose Duplicate Channel. ®“ Option/Alt” means Option on the Macintosh and Alt on Windows. 3. In the dialog box you will want to choose “New” under Document. Then in the Name field type in “Blur map”.

Continuing to work with the blender image from the previous demo, choose Preferences > Display & Cursors. Select Brush Size and Precise. Click OK. Select the paintbrush tool with a medium size, soft-edge brush. Brush size tip 2. Target the original Blender layer. While holding down the Option/Alt key (which toggles you from the paintbrush to the eyedropper tool), select a light copper color from the blender to tone back the highlight areas. Then check Preserve Transparency in the Layers palette.

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